Crayon, join the conversation

Tomorrow morning, I'm heading to Boston, where I'm slated to moderate a panel at the MarketingProfs Business-to-Business Forum.  This post isn't really about my speaking engagement per se, although I should mention that there's still time to register if you're interested in attending a great, no-nonsense event.

What this post really is about though is no-nonsense.  My session asks the question, "What will social media do for my business?" and we'll offer answers not from the usual gaggle of consultants, agency social media gurus or platform vendors (you've been to that panel a few too many times, I'd suspect) but directly from three client-side marketers who are deploying social programs for their companies today.

Even if you can't be at the event, I thought you might be interested in some of the tips and advice the panelists will share.  Take a gander at a hand-out we prepared, bringing together 15 practical points from three seasoned marketers -- Aneta Hall at Pitney Bowes, Donna Tocci at Ingersoll Rand and Monique Trulson at Hello Direct.

[Feed and email readers may need to click through to see the embedded slide show.  Or you can view it directly on Slideshare.]

Now, I suspect some of you have great tips to share as well.  So chime in (especially if you're a client-side marketer) -- what does social media do for your business?

I'm excited to announce that I've inked a deal with McGraw-Hill for the publication of my first business book, microMARKETING: A Breakthrough Approach to Building Brands by Thinking and Acting Small.

If the title alone isn't enough to clue you in, I'd like to give you an idea of the ground I'll cover in the book.  Here's a bit of how I described the book in the proposal itself:

A media revolution is underway, fueled by a micro-content phenomenon that is shifting the balance of power from mass communications to masses of communicators.  This shift plays out daily on blogs, Twitter, Facebook, Ustream and other social sites.  It’s in the notion that an otherwise normal individual can use social media and low-end technology to become a micro-celebrity with a significant following.  It’s in the viral effect that takes hold when even one online influencer (in essence a one-person media outlet) sparks a conversation that makes or breaks a brand.  It’s in the shift in behavior that is turning the smart phone into the “first screen” for Gen Y and many increasingly-mobile Gen Xers.  It’s in the shift from watching 60 minute television shows interrupted by 30-second advertisements, to watching 30-second pieces of online video content with no advertisements at all.  It’s even in the changing of our expectations of product design and retail sales, giving rise to dozens of successful small businesses and individuals (think Threadless, think Etsy, think Mimobot, think Lemonade) that can create and sell enough high quality, unique or custom merchandise at a premium to shoppers for whom choice and individuality matter more than convenience and price. 

These are exciting times, but they can also be scary times for marketers who have been trained to think that bigger is better, and for whom the excesses and successes of the past 50 or so years – big budgets for major media ad campaigns designed to sell mountains of product through big-box retailers – seem to be the only way to build a big brand.  For better or worse, the new reality is that the old way doesn’t work so well anymore. Simply put, micro-content and macro-marketing don’t mix – and trying to maintain the status quo while consumer behaviors and expectations change amounts to little more than a recipe for failure.

Enter micromarketing – a new approach to building brands, marketing products and services, and growing meaningful long-term customer (and corporate) value.  Micromarketing emphasizes relationships over reach, interactions over interruption, and the network effect over the broadcast network.  It is built upon the premise that the “next big thing” is really lots and lots of small things, and that to survive and thrive, even the biggest marketers must think and act small (make that “micro”), too. 

microMARKETING is not a "Twitter book."  Puh-leeze... In signature Verdino-style, I will aim to help marketers understand the larger trends that are driving the popularity of tools like Twitter and what the real world implications are for businesses (even if Twitter itself -- or Facebook or YouTube, for that matter -- goes away), but my focus will be aimed squarely at the big picture.  I also don't plan to trot out the same ol' tired social media case studies.  In fact, one key piece of my approach is to help large companies understand how to thrive in the era of micro-content and micro-culture by taking lessons from the people and organizations that are involved in the revolution at the grassroots level.  In other words, I'll be looking at what the biggest of big corporations should learn from "whatever experts." 

Again, from the proposal:

Over the past several years, social media has evolved from a trend to watch to an irrefutable fact of life for marketers of all sizes.  Now – before most companies have even gotten social media right – the mainstreaming of micro-content services, the ubiquity of powerful low-cost handheld technology (from Internet-ready phones to consumer-grade HD cameras) and the rise of DIY culture promise to change the rules of consumer engagement yet again.  It is important to understand how these changes impact our ability to build brands, manage customer relationships and drive sales today, and this will only become more important over the coming years as more and more consumers flock to the technologies that are powering the shift.

On the flipside, it is also important that marketers not get swept up in the hype surrounding a single tool or tactic, losing sight of the bigger implications for their businesses.  As has happened with core social media tools like blogging, podcasting and social networking (and short-lived fads like Second Life), marketers now run the risk of not seeing the forest for the trees – of jumping on the “Twitter bandwagon” with short-lived, ill-advised tactics that do little to impact their businesses.   

On the one hand, microMARKETING educates decision makers about larger trends and what they mean for companies who are looking to more effectively engage consumers through new digital channels.  On the other hand, it delivers tangible and practical case studies, stories, tips and tricks from familiar competitors (other large corporations) and unlikely sources of inspiration (micro-businesses and individual creators.)

microMARKETING is slated for a May/June 2010 release.  I need to hand in the final manuscript by mid-October.  Needless to say, I've got my work cut out for me over the next few months.

That may mean less blogging for the next few months, although I'll still try to post here at least once/week.  And you should stay tuned for periodic updates on the book, my progress and the process.  Hell, I may even ask you for some input along the way.

Finally, I'd like to thank the good folks at McGraw-Hill -- especially Donya Dickerson -- and my agent Ethan Friedman at LevelFive Media.

Good times, ahead...

This video, portraying a funny-because-it's-true reality about how clients negotiate with their agencies, made the rounds on Twitter yesterday.  On the other hand, I'd imagine there's ample fodder for a video response that dramatizes all of the unsavory ways agencies 'manage' their clients.

Well... no matter which side of the table you sit on, the video is worth a few minutes of your time if you haven't seen it yet.  Enjoy!  And don't forget to chime in with your witty commentary.

[Feed and email readers: visit the blog to watch the video.]

Although the odds are pretty good you'll never read a fiction review on this blog, I can't help but tell y'all about J.C. Hutchins' forthcoming novel Personal Effects: Dark Art.  It's a supernatural thriller that pits an art therapist at a psychiatric institute against a blind serial killer/patient -- it may or may not be your cup of tea, and the actual content of the book isn't why I'm telling you about it.

The thing that probably will interest you is the way (ways plural, really) J.C. has taken what he has learned through years of social media self-publishing to create a work that goes well beyond the printed page, encompassing digital, mobile and the physical world to create a fully participatory multimedia narrative.  In many ways, Personal Effects is a novel custom-designed for digital natives (although J.C. and his publisher may not think of it that way) and it just might offer a glimpse at the future of storytelling.

 And the future of storytelling should matter to you no matter what products your company produces or promotes because, as marketers, our success often rides on both our ability to tell compelling stories and our customers' willingness and ability to spread their own stories about their experiences with our brands.

 Of course, everything begins with the book itself.  Let's assume it's good -- I haven't read it yet, but look forward to digging into the advance copy I received over the weekend (thanks J.C.)

But Personal Effects really gets interesting when it gets innovative.  If you aren't familiar with J.C. Hutchins (frankly, I only knew of him through some mutual contacts and from hearing his name bandied about in social media circles), he is a good example of what I have called a "whatever expert" -- someone who is good at what he does and has found a way to succeed at it through smart, effective use of social media.  Although Personal Effects is his first published novel, he has been writing for years, releasing his work as free audiobooks and using the web and social media to build a loyal audience.

J.C. isn't a marketer by training or trade, but the digital and multimedia components of his project offer a practical blueprint for any marketer looking to transform their brand storytelling into an active, participatory experience that is fueled by community and optimized for customer-to-consumer word of mouth.  Readers can enter the world of Personal Effects in a variety of ways:

• Technology-Fueled Calls-to-Action: Clues peppered throughout the novel and in the killer's personal effects packaged with the novel (e.g., a drivers license, photos, hospital paperwork) drive readers to companion websites, forums, onto email lists, into mobile phone voicemail systems and opt-in text messaging programs and more where they can find and explore additional layers of narrative.

• A Distributed, Online Experience: Readers can get inside the heads of key characters through their social network profiles, personal blogs and Twitter streams.

• Original, Distributable Content: Tapping into his heritage as a popular and well-established podcaster, J.C. has produced an exclusive audio-only novella prequel, as well as a series of YouTube-friendly video promos featuring well known horror personalities.

• Seamless Integration with Relevant Third Party Sites: One of the characters (yes, a fictional character from the book) has written columns for Suicide Girls, a site (some content NSFW) whose readership seems to be well aligned with J.C.'s audience, and there is a planned deep integration that brings Suicide Girl models into the novel's fictional world and provides readers with an additional web-only subplot.

• A Fan Community: Readers can 'commit themselves to the Brink' (aka Brinkvale Psychiatric, where the novel takes place), submit their own artwork for display in the community gallery (a logical tie-in with the fact that the book's protagonist is an art therapist at the Brink) and receive personalized intake paperwork.  In other words, readers don't just consume the story; they become part of it.

• Creative, Innovative Influencer Outreach: This is how I became aware of the book in the first place and may bear some of the most relevant lessons for social media marketers.  Over the weekend, the mailman delivered an unexpected package, a good-sized box that contained materials that immediately piqued my interest, earned my attention and (true to the spirit of Personal Effects) drew me directly into the fictional world of Brinkvale Psychiatric.  Containing not only a reviewer's copy of the book and the obligatory media kit, the package was filled with my personal effects from my own stay at the Brink.  Everything was hyper-personalized and it was impossible not to dive in (and just as impossible not to tell others about it -- and last time I checked, that's what influencer outreach is all about.)  Here are a couple of photos and you can check out more on Flickr -- but be warned, you're bound to dismiss your run-of-the-mill blogger outreach emails as downright asinine...

So what's the bottom line?  J.C. is tapping into the power of digital and the potential of social to turn the lay-back (and some might say dying) act of reading a novel into a fully immersive lean-forward experience.  It's equal parts fiction and alternate reality game, powered by a healthy dose of practical Web 2.0 know-how. Followers of pop culture may draw parallels between Personal Effects and the similarly rich multimedia storytelling approaches used to fuel films like Blair Witch Project, television shows like Lost, video games like Halo 2 and even a recent album release by Nine Inch Nails.  Brands have occassionally tapped into this form of multimedia storytelling to do cool and interesting things -- see Audi's Art of the Heist, for example.  But to my knowledge, this is the first time an author has undertaken something so ambitious in association with a novel -- and it just might get digital natives to pick up a plain old printed book. 

Am I gushing?  Sorry.  It's pretty cool and makes me want to curl up with Personal Effects, my laptop and my iPhone right now.

Barring that though (damn you, workload, damn you), I'd love to hear from you.  Which of J.C.'s approaches do you think you can apply to get your customers involved in your brand's story?

Brian Morrissey over at Adweek/Adfreak/Tweetfreak just made it personal. He's now matching up my 10ktweetup tomorrow night (Wednesday, May 26th @ Southern Hospitality on 2nd Ave/betw. 76th & 77th - 6-8pm EST) against Joe Marchese's tweet-up.

Personally, I think you ALL should go to Joe's party. Free drinks; open bar....drink until there's no alcohol left or you pass out.

Or you can come to mine and hang out with me and a few crayonistas. Sadly, you only get 1 free drink, but you can sip it slowly.

Register here for mine or here for Joe's and either way, spread the word about both geeky soirees.

    Regular readers know that I've sometimes criticized companies for dressing up their marketing plan with a superficial layer of social media without first understanding how the very same tools and technologies, when applied inside their own organizations, can have truly transformational impact.

Needless to say, I like what Pitney Bowes' emerging media manager Aneta Hall has to say in her latest blog post:

"Don’t forget that social media is not limited to your customers and external stakeholders. Through Enterprise 2.0 tools including wikis, blogs, instant messaging, internal social networks and microblogging apps, social media can help improve your employee communications and help them collaborate with one another regardless of office location, business unit association or position on the corporate ladder. At my workplace we are exploring several social media applications to help us share information in real time and be  more productive which, in today’s economic environment, is no longer an option, but a requirement."

Smart advice -- and even smarter actions for a corporate giant like Pitney Bowes.  This is just one of five insights Aneta offers, so give her post a read if you want to get her take on how any company can tap into social to listen, learn, love and live.

Aneta is one of the panelists participating in my "What Will Social Media Do For My Business?" session at the MarketingProfs Business-to-Business Forum on June 9th.  We'll be tackling this question with a clear focus on what social means to marketers working in the B2B sector specifically, and delivering straight talk from actual client-side marketers who are doing social today.

If this sounds interesting, there's still time to register.  Use this link to register and receive a $200 speaker's guest discount.

[Image: Rob Howe]

As 2008 came to a close, my blogger-buddy Peter Kim asked a batch of social media folks to think about what 2009 would have in store for our industry.  I included location awareness and mobile social networking among my predictions:

A few months later, crayon began working with a mobile social network provider called GyPSii.  GyPSii allows people to use their mobile phones to instantly capture and share what they are actually doing, building a multi-media virtual diary on their world – the places they've been, the things they've done, the cool things they've seen -- and share their experiences with their network of friends.  It's an all-in-one mobile social application that lets you connect with friends, document your life and share experiences, all in real time.  And of course it seamlessly integrates with Facebook and Twitter - making it easy to update once and share everywhere.

GyPSii already has a nice global footprint, and it works on most carrier networks and on dozens of different handsets.  But the reason I'm blogging about them now is that -- as of today -- GyPSii has launched its iPhone App.  And crayon and our good buddies at SHIFT Communications are helping to spread the word and get some traction.

So if you're an iPhone or iPod Touch user -- and especially if you're a social media geek who has dabbled with mobile social software and likes to bang on new services -- it would be great to see you on GyPSii.  You can get started by downloading the free App from the iTunes right now.

If you'd like a guided tour of GyPSii's iPhone features, you can watch this short video demo:

[Feed and email readers, click through for the video.]

Once you've downloaded the App, be sure to friend me on GyPSii, follow them on Twitter and become a Facebook Fan.  But most of all, be sure to spread the word, because the more friends you have on GyPSii, the better it gets.

Looking forward to connecting.

The second episode of the Living in HD Podcast is up. In it, we welcome Kate, LiHD's Community manager. Debates continue as to whether brands should have individual(s) names and faces; when it comes to community however, we think the answer is an affirmative. 

If you haven't visited the community yet...and more importantly, become a member...what are you waiting for?

fyi: You can follow the show's host, Laura and community manager, Kate on Twitter.

Looks like the Ponzi scheme has already begun to unravel. Mediaweek reports that up to 60% of Twitter's "rapidly growing audience" doesn't come back to the service.

Oops.

In other words, even with all the hype from both mainstream media and celebrity central, the message coming back from Main Street America is "huh?" or "I don't get it"....at least not yet.

It's eerily reminiscent of the good old Second Life days, despite many of the Twitter-boosters who make a clear distinction between the two "services" based on ease of use (set-up; initiation; operation) - whereas Second Life was ridiculously cumbersome, Twitter is pretty simple to use.

Perhaps someone needs to send a memo...'er, DM to Ev and Biz with an 9-character message: SELL NOW! (who needs 140 chars?) or perhaps this is just a reality check restoring growth curves to "regularly scheduled programming".

Perhaps this is also particularly good news for geeks everywhere...that they are not being overthrown by the likes of Ashton, Larry or Oprah.

Oprah incidentally, has been on Opr@h W@tch for about a week now. I'm still waiting for her to respond to me (because that's what Twitter allows you do i.e. connect friends, fans and Dr Phil) She also hasn't updated her profile in 5 days.

You can view my attempts at becoming Oprah's Dr Phil of Conversation here

So is this a good thing? Is Twitter becoming cool again for people who like to say things like FAIL, WOOT and PWND? Or on the flipside, does Twitter have a bit of Secondlifeapnia - especially when it comes to retention?

And while we're at it, what would you do if you were running Twitter to stem this tsunami of attrition? Personally I'd just get @oprah to tweet more, but that's just me...

RT away.

Well, do ya? Pepsi has Bonin Bough. Ford has W. Scott Monty. Coke has Adam Brown. Wells Fargo has another dude. This is in response to a Brandweek article. Warning: gratuitous human quote gestures ahead. Also do enjoy me getting really mad at around the 2m45 mark in respnse to this.